| 在融摄超越中卓异——论刘纲纪美学的整体实践观 |
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| 引用本文： | 石长平.在融摄超越中卓异——论刘纲纪美学的整体实践观[J].云梦学刊,2010,31(1):8-11. |
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| 作者姓名： | 石长平 |
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| 作者单位： | 许昌学院文学院,河南,许昌,461000 |
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| 摘 要： | 在马克思主义美学中国化的过程中，刘纲纪以“实践”为其美学理论体系的哲学基础和逻辑起点，依此建构了一个完整的美学问题域。但刘纲纪所理解的实践，是以劳动为基础的人类整体的实践活动，故可以称为“整体实践观”，其主要特质是创造性。它在根本上不同于李泽厚的“工具本体论”，也不同于蒋孔阳的“生活实践观”。
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| 关 键 词： | 刘纲纪 马克思主义美学 整体实践观 |
ON LIU GANGJI'S WHOLE-PRACTICE VIEW ON AESTHETICS |
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| SHI Chang-ping.ON LIU GANGJI''S WHOLE-PRACTICE VIEW ON AESTHETICS[J].Journal of Yunmeng,2010,31(1):8-11. |
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| Authors: | SHI Chang-ping |
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| Institution: | SHI Chang-ping (School of Literature, Xuchang University, Xuchang 461000, China) |
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| Abstract: | In the Marxism esthetics Chinese＇s process, Liu took ＂practice＂ as its philosophical basis of aesthetic theory system and the logical beginning, constructed a complete esthetics question according to this. But the practice, understood by Liu Gang~i, is the human whole practice based on work, called ＂the whole practice view＂. The main characteristic is creativity. It is different from Li Zehou＇s ＂tool ontology＂and Jiang Kongyang＇s ＂life practice view＂. |
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| Keywords: | Liu Gangji Marxist aesthetics whole-practice view |
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