| 郭沫若抗战史剧表现的生死观 |
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| 引用本文： | 陈鉴昌.郭沫若抗战史剧表现的生死观[J].西华大学学报(哲学社会科学版),2007,26(2):54-57. |
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| 作者姓名： | 陈鉴昌 |
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| 作者单位： | 西华大学人文学院,四川成都,6110039 |
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| 摘 要： | 郭沫若的抗战史剧,选材立意追求普遍性,突出表现为反映人类永久关心的生死问题。它依靠戏剧冲突所表现的生死观,具体内涵包括三点:讴歌人民大众的崇高生死观,鞭挞剥削阶级的卑劣生死观,昭明生存与死亡的辩证关系。艺术作品如何避免速朽而永葆青春,郭剧为我们提供了宝贵经验。
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| 关 键 词： | 郭沫若 抗战史剧 内容 生死观 |
| 文章编号： | 1672-8505(2007)02-0054-04 |
| 修稿时间： | 2006年12月21 |
View of Life and Death in Guo Moruo's Historical Anti-war Drama |
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| CHEN Jian-chang.View of Life and Death in Guo Moruo''''s Historical Anti-war Drama[J].Journal of Xihua University:Philosophy & Social Sciences,2007,26(2):54-57. |
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| Authors: | CHEN Jian-chang |
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| Abstract: | Guo Moruo's historical anti-war drama pursues universality on resources and conception,which mainly reflect the view of life and death that mankind cares permanently.It expresses the view of life and death by conflict in dramas with three points: to eulogize the public view of lofty life and death;to castigate the view of mean life and death of the exploiting class;and to make clear dialectical relation between surviving and death.Guo's drama has provided valuable experience on how to prevent artistic works from being devaluated and keep them alive and prime. |
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| Keywords: | Guo Moruo historical anti-war drama content view of life and death |
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