| 题画诗：诗人对画境的点醒与延伸 |
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| 引用本文： | 周淑芳. 题画诗：诗人对画境的点醒与延伸[J]. 长沙理工大学学报(社会科学版), 2003, 18(2): 102-104 |
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| 作者姓名： | 周淑芳 |
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| 作者单位： | 株洲师范高等专科学校,古典诗歌研究所,湖南,株洲,412007 |
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| 摘 要： | 题画诗的作者往往从多种角度营构艺术形象,以丰富画面的审美蕴涵。题画诗由艺术的审美活动进一步深入到对人生哲理的探索与对艺术真昧的追求,字里行间时时闪烁着艺术与哲理的智慧之光。诗画各以自身为审美主体,又各以对方为审美客体,主体观照客体,同时又通过客体观照自身。
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| 关 键 词： | 题画诗 画境 点醒 延伸 |
| 文章编号： | 1007-6271(2003)02-0102-03 |
| 修稿时间： | 2002-12-08 |
Poems Inscribed on Paintings: A Touch of Poetry in the Scenery and its Transcending Beauty |
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| ZHOU Shu-fang. Poems Inscribed on Paintings: A Touch of Poetry in the Scenery and its Transcending Beauty[J]. Journal of Changsha University of Science & Technology, 2003, 18(2): 102-104 |
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| Authors: | ZHOU Shu-fang |
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| Abstract: | The author of poems inscribed on paintings usually creates aesthetic images in various perspectives in order to enrich the implicat ions. Such poems start form aesthetic activities and then carry them a step furt her into an exploration of the philosophy of life and quest for artistic truth. Between the lines one can always discern the light of sparkling wisdom of art an d philosophy. Poetry and painting present themselves as the main aesthetic subje cts while referring to each other as the aesthetic objects so that objectivity c an be viewed in the light of subjectivity with the latter mirroring itself throu gh the former. |
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| Keywords: | poems inscribed on paintings meaningful realm of panting poetic touch transcendence |
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