| 理学之"道"的审美意蕴 |
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| 引用本文： | 邓莹辉. 理学之"道"的审美意蕴[J]. 长江大学学报(社会科学版), 2007, 30(1): 36-40 |
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| 作者姓名： | 邓莹辉 |
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| 作者单位： | 三峡大学,文学院,湖北,宜昌,443002 |
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| 摘 要： | “道”是理学美学理论最为推重的一个本原范畴,它主要是指思孟学派所言的那种个体精神价值或人格理想。理学家认为,从美学意义上说,道是存在本身,气是存在方式,道之美,是道德律令升华为哲学本体的美,是哲学本体本在于道德律令的美。从文学艺术的角度看,“文从道中流出”,“道”借助“文”这一载体呈现其空灵幽渺之美。
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| 关 键 词： | 理学 道 美学 |
| 文章编号： | 1673-1395(2007)01-0036-05 |
| 修稿时间： | 2006-10-11 |
"Dao" ''''s Asthetic Sense in Idealism |
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| DENG Ying-hui. "Dao" ''''s Asthetic Sense in Idealism[J]. Journal of Yangtze University(Social Sciences), 2007, 30(1): 36-40 |
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| Authors: | DENG Ying-hui |
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| Abstract: | In a sense from aesthetics,the idealists believed that "dao" was being and "qi"was the way of being.The beauty of "dao" was that the morality turned into the beauty of philosophy.The reality of philosophy lies in the beauty of moral discipline.From liberal arts' point of view,"wen" was derived from "dao"."dao" reflected its fantastic beauty with the help of "wen". |
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| Keywords: | idealism dao aesthetics |
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