| “剥离”与“托载”：几架、盆盎在盆景审美意蕴生发中的作用 |
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| 引用本文： | 刘旭.“剥离”与“托载”：几架、盆盎在盆景审美意蕴生发中的作用[J].成都大学学报(社会科学),2011(2):49-52. |
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| 作者姓名： | 刘旭 |
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| 作者单位： | 四川师范大学文学院; |
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| 摘 要： | 盆景是中华民族传统艺术宝库中的一枝奇葩,主要运用咫尺千里、缩龙成寸等＂以小见大＂的手法和技艺,将树木花草、山石水土等物质材料进行艺术加工后布局在盆盎之中,以优美的造型和深远的意境彰显＂一峰则太华千寻,一勺则江湖万里＂的自然之勃勃生意及诗情画意的生动图景,历来享有＂无声的诗、立体的画＂之美誉。本文以盆景几架和盆盎为切入点,试图说明几架和盆盎在盆景审美意蕴的生发中分别起着将现实视域和艺术视域剥离开来并使艺术世界陌生化和托载＂大地＂的作用。
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| 关 键 词： | 盆景 几架 剥离 盆盎 托载 |
Peeling and Bearing: the Effect of Frame and Basin in Production of Bonsai's Aesthetic Implication |
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| Liu Xu.Peeling and Bearing: the Effect of Frame and Basin in Production of Bonsai's Aesthetic Implication[J].Journal of Chengdu University (Social Science),2011(2):49-52. |
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| Authors: | Liu Xu |
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| Institution: | Liu Xu(Department of Literature,Sichuan Normal University,Chengdu 610068,China) |
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| Abstract: | Bonsai is a miracle in the Chinese traditional art treasures.Bonsai art work generally shows a vivid poetic picture of nature by its beautiful shape.People tend to focus on the basin's landscape but ignore the effect of frame and bowl in production of bonsai's aesthetic implication.Actually the frame of bonsai peels the horizon of art from the horizon of real world.The basin bears the earth and the image in it. |
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