悲剧美感的消解：从元杂剧《赵氏孤儿》到电影《赵氏孤儿》

电影《赵氏孤儿》根据元代纪君祥的杂剧《赵氏孤儿大报仇》改编而成。元杂剧《赵氏孤儿》现有元刊本和明刊本传世，无论是以“孝”为主导的元刊本，还是以“忠”为纲的明刊本，都保持了“义”的思想，通过舍生取义的群体行为唤起我们崇高的悲剧美感，其道义担当精神是值得我们继承的。然而，电影《赵氏孤儿》狭隘地把当代意识等同于个人主义，颠覆了元明戏曲始终不变的“义”的思想内核，英雄群像坍塌，悲剧美感被消解。

Comparing Movie ＂The Orphan of the Zhaos＂ with the Opera in Yuan Dynasty

Movie ＂ The Orphan of the Zhaos ＂ is adapted from the opera in Yuan Dynasty by Jijunxiang, The opera has Yuan dynasty edition and Ming dynasty edition handed down till now, ＂filial piety＂ is the leading element in. Yuan dynasty edition and ＂loyalty＂ is the key in another one, both of them have maintained ＂justice＂ and evoke us the noble aesthetic＇feeling of tragedy through the group behaviors of sacrifice for justice. However, the movie narrowly makes the contemporary sense equivalent to individualism and subvert the ideological core ＂justice＂in zaju ＂The Orphan of the Zhaos ＂, so that the collapse of a group of heroes, aesthetic feeling of tragedy to be dispelled.