| 略谈潮剧诸调的唱腔特点 |
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| 引用本文： | 阮惠华.略谈潮剧诸调的唱腔特点[J].淮海工学院学报(社会科学版),2011,9(16):120-123. |
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| 作者姓名： | 阮惠华 |
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| 作者单位： | 漳州城市职业学院艺术系,福建漳州,363000 |
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| 摘 要： | 潮剧唱腔有自己独特的风格，它受弋阳腔及昆腔的影响，与京剧、粤剧等的假声唱腔有很大区别。潮剧的唱腔有区别于其他剧种的“调”，一般的调是指音阶，潮剧唱腔的调却是指一定的音阶组合。潮剧诸调包括轻三六调]、重三六调]、活三五调]、反线调]、锁南枝调]、斗鹌鹑调]、犯腔犯调]等。潮剧诸调唱腔特殊，演唱别具一格。
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| 关 键 词： | 潮剧 调 唱腔 |
On Various Melodies' Characteristics of Teochew Opera |
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| RUAN Hui-hua.On Various Melodies' Characteristics of Teochew Opera[J].Journal of Huaihai Institute of Technology,2011,9(16):120-123. |
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| Authors: | RUAN Hui-hua |
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| Institution: | RUAN Hui-hua(Dept.of Arts,Zhangzhou City College,Zhangzhou 363000,China) |
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| Abstract: | The tone of Teochew differs a lot from the falsetto of scales, instead of single scale in unique melodies. opera has its unique style. It is subject to Yiyang and Kun operas, while it Beijing opera and Cantonese opera. Its melody is a combination of certain other operas. Teoehew opera thus has distinctive styles with various and |
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| Keywords: | Teochew opera tone melody |
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