| 从汉画中的乐舞百戏看曲艺发生 |
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| 引用本文： | 高梓梅.从汉画中的乐舞百戏看曲艺发生[J].郑州大学学报(哲学社会科学版),2005,38(4):168-171. |
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| 作者姓名： | 高梓梅 |
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| 作者单位： | 南阳师范学院,中文系,河南,南阳,473061 |
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| 摘 要： | 我国曲艺的具体生成源头及其情形"可证之史短",而从图像文物看,汉代乐舞百戏中的俳优诙谐表演、表情、动作、伴奏乐器及唱和形式等都与后世的曲艺表演形式相似,因此,曲艺的说、唱、表演等喜剧表演形式导源于汉代的乐舞百戏.
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| 关 键 词： | 汉代 图像文物 乐舞百戏 曲艺表演 |
| 文章编号： | 1001-8204(2005)04-0168-04 |
| 修稿时间： | 2005年3月1日 |
Origin of Quyi as Seen in Some Pictures of the Han Dynasty |
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| GAO Zi-mei.Origin of Quyi as Seen in Some Pictures of the Han Dynasty[J].Journal of Zhengzhou University(Philosophy and Social Science Edition),2005,38(4):168-171. |
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| Authors: | GAO Zi-mei |
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| Abstract: | Quyi in China refers to a variety of folk art forms rich in local flavour, including ballad singing, storytelling, comic dialogues, clapper talks, etc. It is very hard to trace its origin; but from some pictures produced in the Han Dynasty (206BC - 220AD), we can make a connection between the comic performances of Quyi and the plays and dances with music accompaniment popular at that time. |
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| Keywords: | the Han Dynasty ancient pictures and figures artistic performances |
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