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数字艺术消费下的文化逻辑
引用本文:丁梅芊. 数字艺术消费下的文化逻辑[J]. 辽宁大学学报(哲学社会科学版), 2013, 0(6): 144-147
作者姓名:丁梅芊
作者单位:辽宁大学广播影视学院,辽宁沈阳110136
摘    要:消费环境将人们的文化身份归于图形表述范围,数字艺术消费逐渐冲击着文字文本的消费习惯,并成为大众文化主流,人们可以从中轻而易举地获取消费信息.这种大众消费文化模式被判定为现实社会环境下的文化原则,让消费成为文化,消费文化演变为文化消费,由此产生了消费模式背景下的文化形态.

关 键 词:数字艺术  消费文化  文化逻辑  后现代意识

On the Cultural Logic of Digital Art Consumption
DING Mei-qian. On the Cultural Logic of Digital Art Consumption[J]. Jounal of Liaoning University(Philosophy and Social Sciences Edition), 2013, 0(6): 144-147
Authors:DING Mei-qian
Affiliation:DING Mei-qian ( College of Communication, Liaoning University, Shenyang 110136, China)
Abstract:Consumer environment defines people's cultural identity with the graphic representation. In the meanwhile, digital art gradually conflicts with consumers' written text spending habits of the, and become a popular mainstream, where people can easily access to consumer information. This mode of mass consumer culture was found to be today' s real socio-cuhural principles. And therefore, consumption turns into culture, and consumer culture evolves into cultural consumption, resulting in the culture pattern under the background of consumption.
Keywords:digital arts  consumption  cultural logic
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