| 论梅尧臣的“平淡论”与隐逸的关系 |
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| 引用本文： | 林晓娜.论梅尧臣的“平淡论”与隐逸的关系[J].广州大学学报(社会科学版),2011,10(9):78-81. |
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| 作者姓名： | 林晓娜 |
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| 作者单位： | 汕头大学文学院,广东汕头,515063 |
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| 摘 要： | 关于梅尧臣的“平淡论”，学界一直存在争议。梅尧臣所指的平淡之诗，是抒发闲适、隐逸情怀之诗，但不仅限于隐逸诗人所作之诗或隐选诗。平淡是梅诗的主导风格，这并非从一开始便是共识，此观念是后人以陶渊明、韦应物之诗为参照而建立起来的。梅诗平淡风格的诗学内涵，与梅尧臣本人的“平淡论”是不同层面上的论题，区分两者的不同，有助于更透彻地理解梅尧臣的诗风。
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| 关 键 词： | 梅尧臣 平淡论 隐逸 陶渊明 |
A review on Mei Yaochen's viewpoint on insipid poetry |
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| LIN Xiaona.A review on Mei Yaochen's viewpoint on insipid poetry[J].Journal of Guangzhou University(Social Science Edition),2011,10(9):78-81. |
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| Authors: | LIN Xiaona |
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| Institution: | LIN Xiaona(College of Liberal Arts,Shantou University,Shantou,Guangdong 515063,China) |
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| Abstract: | Scholars have been controversial about Mei Yaochen's view on insipid poetry.According to Mei Yaochen,the insipid poetry expresses leisure feelings,describing hermit's life,but not limited to hermit poems.Insipidness is the dominant style in Mei's poetry but this was not agreed upon by all at first.This view had been established with reference to Tao Yuanming and Wei Yingwu's poetry through generations.The insipid style of Mei Yaochen's own poetry and his view on insipid poetry are topics at different levels... |
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| Keywords: | Mei Yaochen insipid poetry eremitic Tao Yuanming |
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