| 百年发轫——滕固艺术思想与留学背景研究 |
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| 引用本文： | 张波. 百年发轫——滕固艺术思想与留学背景研究[J]. 东南大学学报(哲学社会科学版), 2012, 14(2): 72-77,127. DOI: 10.3969/j.issn.1671-511X.2012.02.014 |
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| 作者姓名： | 张波 |
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| 作者单位： | 东南大学艺术学院,南京江苏,211189 |
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| 基金项目： | 教育部人文社科青年基金项目“留学背景与中国早期艺术学研究”(10YJC760070)成果之一 |
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| 摘 要： | 滕固是民国时期著名的美术史学家,他以西方艺术史治学方法,结束了千年中国传统美术史写作形式,标志着中国美术史论新转型,他被视为近代中国美术史学的奠基人.滕固的艺术思想包括了历史文化观、科学观、进化论观、文化(艺术)救赎观等诸多思想.其中梁启超、蔡元培及留德期间是其艺术思想的主要来源,本文综合19世纪末20世纪初世界文化背景,考察了滕固艺术思想的形成与发展.
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| 关 键 词： | 滕固 艺术思想 留学 |
The dawn of a hundred-year-old history:the artistic thought and overseas study of Teng Gu |
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| ZHANG Bo. The dawn of a hundred-year-old history:the artistic thought and overseas study of Teng Gu[J]. Journal of Southeast University(Philosophy and Social Science ), 2012, 14(2): 72-77,127. DOI: 10.3969/j.issn.1671-511X.2012.02.014 |
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| Authors: | ZHANG Bo |
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| Abstract: | Teng Gu, a famous fine art historian in the Republic of China, was considered the founder of the Chinese modern fine arts history. With his introduction of the western methodology, he brought to a close the traditional way of recording the history of Chinese fine arts and started a new era of it. His artistic thought involves art history and culture, scientific concept, evolution, and cultural (artistic) view of salvation. Liang Qichao, Cai Yuanpei and his overseas study in Germany were all the sources of his artistic ideas. This paper studies the creation and development of Teng Gu’s artistic thought against the background of the world culture in the late 19th and early 20th century. |
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