| 古典诗歌意象组合方式新论 |
| |
| 引用本文： | 张中成. 古典诗歌意象组合方式新论[J]. 盐城工学院学报(社会科学版), 2005, 18(3): 47-51 |
| |
| 作者姓名： | 张中成 |
| |
| 作者单位： | 盐城工学院,宣传部,江苏,盐城,224003 |
| |
| 摘 要： | 古典诗歌形成意境的一个主要方面,就是要求对诗歌意象进行艺术的组合。从意象之间的关系入手,研究古典诗歌意象的并列式、递进式、对比式、衬托式等四种组合方式,这对于继承和发展诗学理论、把握诗歌审美意境是具有积极的意义。
|
| 关 键 词： | 古典诗歌 意象 组合 方式 论述 |
| 文章编号： | 1008-5092(2005)03-0047-05 |
| 修稿时间： | 2005-04-28 |
A New Analysis of Image Combination in Classical Poems |
| |
| ZHANG Zhong-cheng. A New Analysis of Image Combination in Classical Poems[J]. Journal of Yancheng Institute of Technology, 2005, 18(3): 47-51 |
| |
| Authors: | ZHANG Zhong-cheng |
| |
| Abstract: | Classical poems are a main aspect of image formation,which calls for the art of image combination.It is conductive to both inherit and develop Theory of Poetry and master the aesthetic sense.This paper studies the four following styles of combination: coordination,climax,comparison and contrast by the relationships among images while many researchers explore them from different perspectives. |
| |
| Keywords: | classical poem image combination style dedicate |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
| 点击此处可从《盐城工学院学报(社会科学版)》浏览原始摘要信息 |
|
点击此处可从《盐城工学院学报(社会科学版)》下载全文 |
|
