中国古典美学“丽”范畴论纲

"丽"是中国古典美学的重要审美范畴,贯穿于中国古典美学的整个历程。"丽"范畴萌芽于先秦两汉时期,"丽"揭示的是一些表面的、直接可感的审美属性,并不具备多方面审美内涵。魏晋南北朝时"丽"范畴逐渐成型,"丽"已有意识地被纳入社会文化审美视野,建构成一个独立自足的"丽"范畴审美体系。唐宋时"丽"范畴走向兴盛,"丽"是唐宋诗、词美的突出感性表征,唐宋诗学、词学理论自觉地对之进行了理性把握。元明清时期是古典美学"丽"范畴的深化时期。主要表现为它在许多艺术部门都得到了广泛深入的运用,人们对"丽"的审美特征有了更深刻全面的认识。

On the "Beauty" in the Chinese Classical Aesthetics

"Beauty" is one of the most important categories of Chinese classical aesthetics.It runs through the whole process of the Chinese classical aesthetics."Beauty" began to attract attention in the Pre-Qin Dynasty and in the Western and Eastern Han Dynasties.It reveals some superficial and sensible features for aesthetics,but not on an all-round level.In the Wei-Jin and Southern-Northern Dynasties,"beauty" was taken into the aesthetics for social culture and became an independent branch of aesthetics.In the Tang and the Song Dynasty,it developed itself into the overall prosperity.It became a perceptual feature in the poem at that time,and was well-maintained rationally.It was developed fully in some artistic departments in the Yuan-Ming-Qing Dynasty,and was applied extensively and substantially in many literary fields.From then on,people had a more mature understanding of it.