| 再论唐代律赋的体式标准 |
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| 引用本文： | 赵俊波. 再论唐代律赋的体式标准[J]. 辽东学院学报(社会科学版), 2010, 12(2): 79-84 |
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| 作者姓名： | 赵俊波 |
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| 作者单位： | 四川师范大学,文学院,成都,610068 |
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| 基金项目： | 国家社会科学基金西部项目(06xzw005) |
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| 摘 要： | 唐代律赋讲究四声八病,这正与永明之后的骈赋相同,说明律赋在声律方面以骈赋为标准,所以声律并不能代表唐代律赋的特质。相对而言,从产生、发展及时人的重视程度等方面来看,限韵却是律赋不同于骈赋的地方,所以律赋的根本特征是限韵。
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| 关 键 词： | 律赋 体式 骈赋 限韵 声律 |
Stylistic Standard of Rhymed Fu in the Tang Dynasty: Some More Comments |
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| ZHAO Jun-bo. Stylistic Standard of Rhymed Fu in the Tang Dynasty: Some More Comments[J]. Journal of Liaodong University :Social Sciences, 2010, 12(2): 79-84 |
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| Authors: | ZHAO Jun-bo |
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| Affiliation: | College of Literature;Sichuan Normal University;Chengdu 610068;China |
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| Abstract: | Four tones and eight faults was stressed in the rhymed Fu in the Tang Dynasty as the paralleled Fu after the Yongming period of the South Dynasty.This shows that the tone and rhyme standard of rhymed Fu is the same as the paralleled Fu,and the tone and rhyme can not be regarded as the feature of the rhymed Fu in the Tang Dynasty.Comparatively,from the origin,development and attached importance at that time,rhyme restriction of the rhymed Fu is a different character from the paralleled Fu;therefore,the essen... |
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| Keywords: | rhymed Fu style paralleled Fu rhyme restriction tone and rhyme |
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