| 革命、佛道思想与虚无——从《健儿语》、《自杀》透视程善之小说创作主体 |
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| 引用本文： | 黄诚. 革命、佛道思想与虚无——从《健儿语》、《自杀》透视程善之小说创作主体[J]. 扬州大学学报(人文社会科学版), 2012, 16(2): 64-69 |
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| 作者姓名： | 黄诚 |
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| 作者单位： | 苏州大学文学院,江苏苏州,215006 |
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| 摘 要： | 革命与佛道思想构成程善之小说创作的主体特征,贯穿其民初的文学活动。其思想形成的诸种缘由与辛亥革命后的社会现实相关,导致走向虚无。将其重要作品置于民初特殊的历史文化语境下考察,体现着民初知识界的丰富与复杂,以及现代文学/文化史链条之一环的意义。
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| 关 键 词： | 创作主体 革命与佛道思想 虚无 |
Revolution,Buddhistical Thought,and Nothingness |
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| HUANG Cheng. Revolution,Buddhistical Thought,and Nothingness[J]. Journal of Yangzhou University(Humanities and Social Sciences Edition), 2012, 16(2): 64-69 |
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| Authors: | HUANG Cheng |
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| Affiliation: | HUANG Cheng(School of Chinese language and Literature,Soochow University,Suzhou 215006,Jiangsu,China) |
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| Abstract: | Revolution and buddhistical thought constitute the theme of Cheng Shanzhi’s literary work in early Republic of China.The formation of his thought is connected with the social situation after Xinhai Revolution,which leads to nothingness.When put in the historical and cultural context of early Republic of China,his main works reflect various and complicated literary circles and the significance of being a link in the literature-culture chain. |
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| Keywords: | creating subject revolution and Buddhistical thought nothingness |
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