《生死场》:女性对"家庭"的恐惧与颠覆

《生死场》全书贯穿三个家庭生与死的故事,因此家庭描写是研究其文本不容忽视的方面。萧红着力刻划了家庭中夫妻关系的异化,通过若干女性在家庭中的遭际,包括家庭暴力、生育难产、动物式性行为和男性薄情,折射出女性对于"家庭"的恐惧性想象,并揭示这种恐惧对于女性某种程度的普适性和宿命色彩。小说中落墨最多的王婆形象,除了表现出黑土地上底层民众"生的坚强和死的挣扎"之外,还传达出作者颠覆传统家庭观念的渴求与努力。萧红独立的女性视角有机地融铸在"民族生死’’的宏大话语中,使得文本具有了或显豁或隐微的多重意义。

Women's Dread to Families in Shengsi Chang

It can not be overlooked to study Shengsi Chang for describing families since there are three families' stories of life and death threading together the whole novel.The author Xiao Hong tried to depict alienating relationships of the husbands and wives, and reflected the females' terrible imaginations of the family by portraying family violence,birth adversity,animal-like sexual actions and the fickle- minded men which show universality of the female's fear.It manifests that the author wished to overturn the traditional family style to describe the figure Wang Po the most while to demonstrate the bottom masses' indomitable life.The novel has various significances since Xiac Hong described the women's figures under the great- national perspective.