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诗体自觉与美学回归--论艾青中后期诗歌的格律化倾向
引用本文:谢向红.诗体自觉与美学回归--论艾青中后期诗歌的格律化倾向[J].江苏大学学报(社会科学版),2004,6(4):72-76.
作者姓名:谢向红
作者单位:首都师范大学,中国诗歌研究中心,北京,100037
摘    要:艾青早期诗歌追求散文美,排斥音乐性;其中后期诗歌自觉追求音乐性,出现了格律化倾向,对早期诗歌的自由化和散文化之弊进行了反拨.这标志着艾青诗歌形式意识的自觉,也标志着诗人对中国诗歌音乐性传统和含蓄蕴藉的传统抒情方式的部分回归和继承.

关 键 词:艾青    格律化    音乐性    诗体形式
文章编号:1671-6604(2004)04-0072-05
修稿时间:2004年3月4日

Consciousness in Poetic Form and Return in Aesthetics--Metrical Tendency in Ai Qing's Middle and Later Poetry
XIE Xiang-hong.Consciousness in Poetic Form and Return in Aesthetics--Metrical Tendency in Ai Qing''''s Middle and Later Poetry[J].Journal Of Jiangsu University:Social Science Edition,2004,6(4):72-76.
Authors:XIE Xiang-hong
Abstract:Ai Qing's early poems pursue to prosaic beauty and discard musicality, but in his later poems, he consciously pursues musicality and metricality, and tries to rectify the abuse of free and prosaic tendency in his early ones, which indicates Ai Qing's consciousness of poetic form, and the aesthetical return partly to the tradition of musicality and connotation of classical Chinese poetry.
Keywords:Ai Qing  metricality  musicality  poetic form
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