以画入影:金基德电影中的半抽象式叙事

金基德的电影大多具有浓郁的半抽象色彩，这种半抽象性不仅是一种叙事技法，而且是一种美学品格。从叙事技法层面看，金基德的作品除了秉持其一以贯之的宗教、性爱、暴力等主题外，在空间与情景建构、身份与人物关系、身体与性爱书写等诸多层面均彰显出半抽象的艺术特质；从美学品格层面看，金基德擅长利用空间、色彩、日常生活物等元素来建构一个充满象征的意象世界，并通过与现实世界的对照，实现对人的生活状态、人的情感、人性本质等问题的哲思。因而，唯有全面把握金基德作品中半抽象式的叙事技法，方能真正理解金基德作品的艺术内涵和美学风格。

Filming with the Skill of Painting:The Semi-abstract Narration in Kim Ki-duk’s Films

Kim Ki-duk''s films reveal a strong semi-abstract style,which is not only a kind of narrative technique, but also an aesthetic character. From the aspect of narrative skills,Kim Ki-duk''s works expresses a variety of some themes,such as religion, sex, violence, showing artistic characteristics of semi abstract in many aspects of space and scene construction, identity and the relationship between the characters, body and sex writing, etc. From the perspective of aesthetic character, Kim Ki-duk is good at using space, color, daily life, and so on, so as to construct a symbolic world,and finalising the philosophical thoughts on people''s living conditions, human emotion, human nature by comparison with the real world. So, only grasping of the semi-abstract narrative techniques in the works of Kim Ki-duk, can we understand the artistic connotation and aesthetic style of Kim Ki-duk''s works.