| 后现代叙事话语 |
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| 引用本文： | 巫汉祥.后现代叙事话语[J].厦门大学学报(哲学社会科学版),1999(1). |
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| 作者姓名： | 巫汉祥 |
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| 作者单位： | 厦门大学中文系!讲师 |
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| 摘 要： | 西方后现代主义文学创造出了许多前所未有的叙事话语。与传统叙事话语不同的是，后现代叙事话语并非是一种纯技法的操作，而是在本体的层次上与叙事主体或叙事对象密切相关，叙事的结构、视角、情感色彩和语调特征本身就是叙事主体或叙事对象的存在观与生存状态的“直观”写真。后现代派文学叙事话语主要有五种类型，“平面无深度”叙事话语：对本质与意义的消解；“错乱零散化”叙事话语：精神分裂的生存状态；“黑色幽默式”叙事话语：面临绝望的强自解脱；“极度冷漠化”叙事话语：人情况灭的社会现实；“剪贴拼画式”叙事话语：虚幻的世界与虚幻的语言。
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| 关 键 词： | 后现代 叙事话语 存在观 生存状态 |
The Narrative Discourse of Post-Modernism |
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| Wu Hanxiang.The Narrative Discourse of Post-Modernism[J].Journal of Xiamen University(A Quarterly for Studies in Arts & Social Sciences),1999(1). |
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| Authors: | Wu Hanxiang |
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| Institution: | Wu Hanxiang |
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| Abstract: | The Western post-modernist literature brings out a lot of new narrative discourses,Unlike the traditional nar rative discourse that just deals with the exercising of the narrative-craft, the post-modernist narrative discourse has a closemutuality with the narrative subjective and objective in the ontological category. In the post-modernist discourse,the narrative structure, the point of view, the color of sensibility and the narrative tones are a"mirror image" reflection of the existence conception and existence status of the narrative subjective and Objective.There are five main types of the post-modernist narrative discourse:1The "single-plane and dedeepened"narrative discourse:the deconstructing of essence and significance. 2. The "foul-up and fragmentary"narrative discourse:the existence status of schizophrenia 3.The"black-humor"narrative discourse:extricating oneself from despair forcedly.4The"extremely apathy" narrative discourse:the reality ofvanished human feelings in the sociality 5. The "cut and piece together"narrative discourse:the illusory world and the illusory langUage. |
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| Keywords: | Post-modernist Narrative discourse the conception of existence the status of existence |
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