| 走出老子的审美乌托邦 |
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| 引用本文： | 王文元.走出老子的审美乌托邦[J].河北学刊,2004,24(4):103-106. |
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| 作者姓名： | 王文元 |
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| 作者单位： | 北京市社会科学院哲学研究所,北京,100101 |
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| 摘 要： | 老子“信言不美 ,美言不信”、“知者不博 ,博者不知”的审美乌托邦对中国的美学发展影响至深 ,其核心就是脱离语言 (文字 )追求虚无美。老子排斥“美言”与“知” ,实际上 ,恰恰是“美言”与“知”构成了真实之美。形式美才是至高之美 ,汉字高贵典雅 ,与凡有异 ,除了汉字是“道”的载体之外 ,还因为汉字是一种绝好的形式 ,在这一形式中蕴藏着取之不尽的美。只有把“美言”与“知”联系起来 ,才能走出老子的审美乌托邦。
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| 关 键 词： | 老子 审美 汉字 乌托邦 |
| 文章编号： | 1003-7071(2004)04-0103-04 |
| 修稿时间： | 2004年6月18日 |
Out of Utopia of Laozi's Aesthetics |
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| WANG Wen-yuan.Out of Utopia of Laozi's Aesthetics[J].Hebei Academic Journal,2004,24(4):103-106. |
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| Authors: | WANG Wen-yuan |
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| Abstract: | Laozi's aesthetics has affected the Chinese people for more than two thousand years whose core is to seek the beauty of nothingness. He resists "beautiful words" and "cognition" which form the beauty of truth. The beauty of form is the grandest. The grace of Chinese characters is not only the carrier of the Way but also a beautiful form that contains endless beauty. It's time for us to think carefully how to inherit the beautiful tradition of China. |
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| Keywords: | Laozi aesthetics Chinese characters Utopia |
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