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书法创新研究
引用本文:马俊青.书法创新研究[J].太原师范学院学报(社会科学版),2004,3(3):114-118.
作者姓名:马俊青
作者单位:太原师范学院,创新研究所,山西,太原,030012
摘    要:经过对散见于古代书论中的片段分析,发现古代书法家的书法创新观主要有这样几种集古、明法、功夫、性灵、追本溯源等。实际上这些观点都是书学范畴中最基本的要求,达不到这些要求,可以说连书法艺术的门也找不着,更不用说走进书法艺术的殿堂。书法创新的突破点在何处?经过对古代书法家的风格形成过程的分析,发现书法创新的法门就在于“取法自然”,即从自然中汲取营养,这才是书法创新的真谛。

关 键 词:书法  创新  突破点  取法自然
文章编号:1672-2035(2004)03-0114-05
修稿时间:2004年3月12日

Study on Calligraphy Innovation
MA Jun qing.Study on Calligraphy Innovation[J].Journal of Taiyuan Normal University:Social Science Edition,2004,3(3):114-118.
Authors:MA Jun qing
Abstract:By analysis on segments occasionally found in ancient discussions on calligraphy, it can be discovered that ancient calligraphers had the following kinds of views on calligraphy innovation: collecting of ancient styles, understanding of methods, exploiting, developing inspiration, tracing to their sources, etc. In fact, these views are the most fundamental requirements in the scope of calligraphy. It these requirements are not met, one would never find the access to the art of calligraphy, not to mention entrance into the art palace of calligraphy. Then, where is the breakthrough in calligraphy innovation? By analyzing the formation process of calligraphers styles, it is found that the access to the innovation lies in "learning from Nature," i.e. drawing pabulum from the Nature. This is the essence for calligraphy innovation.
Keywords:calligraphy  innovation  breakthrough  learning from Nature
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