| 论《桃花扇》最初并非表达兴亡之感的作品 |
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| 引用本文： | 颜健. 论《桃花扇》最初并非表达兴亡之感的作品[J]. 西南交通大学学报(社会科学版), 2006, 7(3): 24-26 |
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| 作者姓名： | 颜健 |
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| 作者单位： | 重庆师范大学文学与新闻学院,重庆,400047 |
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| 摘 要： | 孔尚任在石门山隐居期间创作了《桃花扇》初稿,他在《桃花扇本末》中说:正是有感于李香君的故事“新奇可传”,才产生了创作《桃花扇》的动机。可见,他创作《桃花扇》首先是出于一种“传奇”的心理。孔尚任积极入世,1678~1681年三年之间,两次求取清廷功名,这期间的创作根本不可能抒发兴亡之感。事实上,他隐居期间创作的诸多作品也没有任何一篇与抒发兴亡之感有关。由此可以看出:《桃花扇》最初并非为表达兴亡之感而作。
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| 关 键 词： | 隐居 传奇 功名 标目 兴亡之感 |
| 文章编号： | 1009-4474(2006)03-0024-03 |
| 修稿时间： | 2005-11-10 |
Peach Blossom Fan is not Initially to Express the Sensibility of the Rise and Fall of the Nation |
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| YAN Jian. Peach Blossom Fan is not Initially to Express the Sensibility of the Rise and Fall of the Nation[J]. Journal of Southwest Jiaotong Universit(Social Science Edition), 2006, 7(3): 24-26 |
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| Authors: | YAN Jian |
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| Abstract: | Kong Shangren composed the first draft of Peach Blossom Fan during his hermit life.In The Beginning and End of Peach Blossom Fan Kong said it was because Li Xiangjun's story was so moving and worth being handed down as a legend that he desired to create Peach Blossom Fan.So it was created firstly due to Kong 's psychology of spreading the original stories.Kong took active part in the society and attended the imperial examination twice for fame and fortune from 1678 to 1681 during which he was not likely to express his sensibility of the rise and fall of the nation.In fact,none of the works he composed in his hermit life had any connection with the sensibility.So we can conclude that Peach Blossom Fan was not initially to express his sensibility of the rise and fall of the nation. |
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| Keywords: | to be a hermit legend fame and fortune chapter headings the sensibility of the rise and fall of the nation |
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