| 荒诞、焦虑与暗争中的变异婚姻——论哈罗德·品特的戏剧《情人》 |
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| 引用本文： | 彭佳佳.荒诞、焦虑与暗争中的变异婚姻——论哈罗德·品特的戏剧《情人》[J].福建农林大学学报(哲学社会科学版),2012,15(5):104-107. |
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| 作者姓名： | 彭佳佳 |
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| 作者单位： | 福建农林大学人文社会科学学院,福建福州,350002 |
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| 摘 要： | 哈罗德·品特的戏剧《情人》中尽管只有演员理查德与萨拉,双方却需要扮演多个角色,不停地在丈夫、妻子、情人之间转换。通过评析剧中出现的虚拟角色、似是而非的舞台语言及夫妻之间的权力争斗来展现《情人》一剧的艺术魅力。
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| 关 键 词： | 哈罗德·品特 《情人》 舞台语言 |
Absurdism, anxiety, and internal conflict in variable marriage——Analysis on Harold Pinter's The Lover |
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| PENG Jia-jia.Absurdism, anxiety, and internal conflict in variable marriage——Analysis on Harold Pinter's The Lover[J].Journal of Fujian Agriculture and Forestry University,2012,15(5):104-107. |
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| Authors: | PENG Jia-jia |
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| Institution: | PENG Jia-jia(College of Humanities and Social Sciences,Fujian Agriculture and Forestry University,Fuzhou,Fujian 350002,China) |
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| Abstract: | Although in Harold Pinter′s The Lover,there is only one actor and one actress,Richard and Sarah,they need to play several virtual roles,and shift among the roles of husband,wife and lover.This article analyses the artistic charm of virtual roles,specious stage language,and power conflict between the couple in The Lover. |
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| Keywords: | Harold Pinter The Lover stage language |
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