| 中国先锋文学的荒诞意识和死亡意识 |
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| 引用本文： | 王洪岳. 中国先锋文学的荒诞意识和死亡意识[J]. 郑州轻工业学院学报(社会科学版), 2003, 4(4): 20-25 |
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| 作者姓名： | 王洪岳 |
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| 作者单位： | 南京师范大学,文学院,江苏,南京,210097 |
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| 摘 要： | 荒诞和死亡是中国先锋文学对人的生存和存在进行思考的两个重要表现领域。在人类意识层面,荒诞是生存状态下精神死亡的表象,而死亡则成为对于存在的荒诞境况的解脱。它们所体现出的感性学意义在于对信仰丧失之后的虚无状态的揭示。
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| 关 键 词： | 先锋文学 荒诞 死亡 存在 |
| 文章编号： | 1009-3729(2003)04-0020-06 |
| 修稿时间： | 2003-04-11 |
The ideas of absurdity and death in Chinese avant-garde literature |
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| WANG Hong-yue. The ideas of absurdity and death in Chinese avant-garde literature[J]. Journal of Zhengzhou Institute of Light Industry(Social Science), 2003, 4(4): 20-25 |
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| Authors: | WANG Hong-yue |
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| Abstract: | Absurdity and death are the two main aspects of Chinese avant-garde literature on human existence and being.The absurdity is the phenomenon of the death of spirits under the existence,and the death has become a kind of extrication about the absurdity of being.The meanings of aesthetics are to uncover the non-rooted condition after losing beliefs. |
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| Keywords: | avant-garde literature absurdity death being |
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