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基督圣像:从冲突到审丑
引用本文:潘道正.基督圣像:从冲突到审丑[J].吉林师范大学学报,2009,37(1):28-31.
作者姓名:潘道正
作者单位:天津外国语学院,汉文化传播学院,天津,300204  
摘    要:基督圣像无疑是最典型的基督教艺术,但其从产生到合法性的最终确立却经历了漫长而艰难的过程,其间更是发生了残酷的“圣像破坏运动”。就像“二希”文化融合形成了新的基督教文化,圣像是古希腊具象艺术和东方抽象艺术碰撞、融合的结晶。耶稣基督的“奴仆形象”为圣像艺术提供了审丑的契机,审丑的思考也推动了圣像艺术走向成熟。

关 键 词:圣像  审丑  完整性

The Icon of Christ: from Conflict to Ugly Appreciation
PAN Dao-zheng.The Icon of Christ: from Conflict to Ugly Appreciation[J].Jilin Normal University JOurnal:Humanities & Social Science Edition,2009,37(1):28-31.
Authors:PAN Dao-zheng
Institution:PAN Dao-zheng (Department of Chinese ,Tianjin Foreign Studies University, Tianjin 300204, China)
Abstract:Christ Icon no doubt is the typical Christian art,but it took a long and hard time for it to be accepted by people, and a cruel iconoclasm happened. Just like Greek culture and Hebrew culture blended into a new Christian culture, Icon was the fruit of conflict and compromise between Greek representational arts and east abstract arts. Jesus Christ "taking the very nature of a servant" ,which provided a chance to study the conversion of ugly of Icon, and brought Icon to success at the same time.
Keywords:Icon  ugly appreciation  integrality
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