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枚乘作《笙赋》说辩疑与先秦两汉文本的传播
引用本文:罗超华. 枚乘作《笙赋》说辩疑与先秦两汉文本的传播[J]. 北京社会科学, 2018, 0(3): 119-128. DOI: 10.13262/j.bjsshkxy.bjshkx.180313
作者姓名:罗超华
作者单位:南京大学 文学院,南京,210023
摘    要:李善在注《文选·长笛赋序》时推测枚乘作有《笙赋》.这种说法曾一度为学界所认可,直到程章灿、张巍对此提出质疑,并认为枚乘所作可能是《琴赋》,即《七发》中写音乐的那一段.然其论并不完善,也留下了一些未能解释的问题,故仍有必要进一步申说.而通过再次辩疑,并结合先秦两汉文本的传播情况来看,马融《长笛赋序》中所指可能确实是《七发》中有关琴的部分,只是这部分内容还应在傅毅作《洞箫赋》后,从《七发》中分列而出,并被冠以《琴赋》之名单独传播过.

关 键 词:枚乘  《笙赋》  《琴赋》  先秦两汉  文本传播  Mei Sheng  Sheng Fu  Qin Fu  Pre-Qin and Han dynasties  text dissemination

On Sheng Fu and the Text Dissemination in Pre-Qin and Han Dynasties
LUO Chao-hua. On Sheng Fu and the Text Dissemination in Pre-Qin and Han Dynasties[J]. Social Science of Beijing, 2018, 0(3): 119-128. DOI: 10.13262/j.bjsshkxy.bjshkx.180313
Authors:LUO Chao-hua
Abstract:In the note ofAnthology of the Flute Proclamation, Li Shan speculated that Mei Sheng wrote Sheng Fu. His speculation was once widely recognized before Cheng Zhangcan and Zhang Wei questioned who speculated that Mei wrote Qin Fu as some part of Qi Fa. However,their speculations still face some questions. Combined with the text dissemination of the Pre-Qin and Han dynasties, this paper puts that Ma Rong might refer to theQinpart in Qi Fa which was supposed to be written after Fu Yi's Dongxiao Fu and was separated from Qi Fa,spreading in the name of Qin Fu.
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