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现代审美中的乡土美术
引用本文:吕文岩,李亚晶.现代审美中的乡土美术[J].天津大学学报(社会科学版),2014(1):80-83.
作者姓名:吕文岩  李亚晶
作者单位:金陵科技学院艺术学院,南京211169
摘    要:乡土美术的价值意义不仅是民俗学上的,也不仅是视觉形态上的,它还在于隐含其间的非物质性创造原理、文化属性辩识和现代审美的取用.文化遗产价值存在不能替代现代性文化发展方式的进步意义,实现现代多向性文化发展方式,就需要认清我们自身文化传承方式的单向性本质,这才有可能借用现代性文化发展方式弘扬民族文化精神,在现代审美和国际语境下实现全球传播和覆盖.

关 键 词:现代审美  文化原生态  本源文化  乡土美术

Modern Aesthetic of the Local Art
Lu Wenyan,Li Yajing.Modern Aesthetic of the Local Art[J].Journal of Tianjin University(Social Sciences),2014(1):80-83.
Authors:Lu Wenyan  Li Yajing
Institution:( School of Art Academy, Jinling Institute of Technology, Nanjin 211169, China )
Abstract:The value and significance of local art are not only on the folklore of indigenous art, or on a visual form, also lie in during the non-physical principles of creation of modem aesthetic, cultural properties, identification and access. The value of cultral heritage can't replue the progressive meaning of the dovelopment mode of maim culture. To realizc the de- velopment rood of modem diversifying culture, you need to identify the unidirectional nature of our own cultural heritage, which is likely to use modern means of cultural development torromoce the spirit of national culture in modern aesthetic and the international context for global dissemination and coverage in the international context.
Keywords:modern aesthetic  the original ecological culture  source culture  vernacular art
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