电影的幻象--王安忆小说与图像化时代的对峙

本文从传播学和读者接受的角度研究了当下影视占据文艺格局中心位置的情境下,当代著名作家王安忆所持的文学立场.文中不仅分析了王安忆通过电影的幻象酿成悲剧结局的小说情节安排,揭露了电影的欺骗性,而且还深入探讨了诸多作家迎合电影,在小说中透露出过多的影像化信息时,王安忆是如何始终坚持小说的原创性来对抗电影对小说的蚕食,对抗图像化时代图像对语词的消解.最后,论述了王安忆的小说通过不断的创新和实验,对电影强势背景下当代小说的发展所提供的新的意义.

Phantom of Movie --Wang Anyi's Story Against the Image Age

From the aspect of spread study and reader's acceptance, this text researched Wang Anyi's literature standpoint when films occupied the center stage of the literature and art is the last part of the dissertation. The author analyzes that Wang Anyi uncovers how cinematic mirage brings tragedy, and make the public drown in the cinematic beguilement. And the author continues to inquiry into that many writers cater to the movie, but Wang Anyi always insists to keep movies from encroaching upon stories, resist the original writing to withstand words' elimination from the image era. Then what is discussed is that Wang Anyi's continuously creative experiments on novels provide a new meaning for fiction's development.