| “意境”说六种及其申说 |
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| 引用本文： | 童庆炳.“意境”说六种及其申说[J].延边大学东疆学刊,2002,19(3):1-9. |
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| 作者姓名： | 童庆炳 |
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| 作者单位： | 北京师范大学文艺学中心 北京100875 |
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| 摘 要： | 从古人的论述和今人的研究中 ,述评了六种“意境”说。指出这六种“意境”说的合理性和缺憾。本文认为意境是人的生命力开辟的、寓含人生哲学意味的、情景交融的、具有张力的诗意空间。这种诗意空间是在有读者参与下创造出来的。它是抒情型文学作品的审美理想。“生命力”的活跃是意境的基本美学内容
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| 关 键 词： | 意境 “意境”说 核心美学 |
| 文章编号： | 1002-2007(2002)03-0001-09 |
| 修稿时间： | 2002年7月13日 |
Six Theories about "Artistic Ambience" and Their Explanations |
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| Tong Qinbing.Six Theories about "Artistic Ambience" and Their Explanations[J].Dongjiang Journal,2002,19(3):1-9. |
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| Authors: | Tong Qinbing |
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| Abstract: | The article comments on six theories about "artistic ambience" in ancient and modern times and points out their rationality and deficiencies. The author considers that artistic ambience, created by the author and the reader, is a kind of poetic expansive space with feeling and setting blended, which is opened up by vital power and contains implied philosophy of life. It is an ideal aesthetic realm for lyric literary works. And active vitality forms the basic aesthetic content of artistic ambience. |
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| Keywords: | artistic ambience artistic ambience theory core aesthetics |
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