"闲赏"范畴与明清文人的审美生活

赏的审美意义在魏晋南北朝已确立,然"闲赏"作为一复合范畴主要出现于唐宋以后的诗文中,尤其在明清系统品赏著作中作为章节命名使用。对"闲赏"范畴"文脉"进行简要梳理,可对照出明清文人所言"闲赏"之独特内涵:一方面,明清"闲赏"对象上的世俗生活性,使"赏"更具"闲"意,另一方面,"闲赏"范式上于感性形式中见雅趣的现代审美性,又使明清"闲赏"有了"以俗为雅"的倾向,遂与当下"日常生活审美"构成一种"形似神异"的映照。

Category of "Leisurely Enjoying" and the Life of Aesthetic of Scholars in the Ming and Qing Dynasties

The aesthetic meaning of enjoying has already been established in Wei Jin and the Northern and Southern Dynasties. But, as the compound category, the leisurely enjoying mainly appears in poems later the Song Dynasty, especially is used as the chapter's title in works of the Ming and Qing Dynasties. Comb the train of "leisurely enjoying" category can contrast out the unique intension of "leisurely enjoying" that the scholars of Ming and Qing Dynasties spoke. On the one hand, the living of the object of "leisurely enjoying" make "enjoying" have the meaning of leisure; on the other hand, the aesthetic of "leisurely enjoying" makes "leisurely enjoying" of the Ming and Qing Dynasties have the trend of "taking common as gracefulness", form a kind of reflection with aesthetic of daily life.