| 明代诗学辨体理论的尊体意识与典范意识 |
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| 引用本文： | 邓新跃.明代诗学辨体理论的尊体意识与典范意识[J].南都学坛,2005,25(2):60-63. |
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| 作者姓名： | 邓新跃 |
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| 作者单位： | 湖南科技大学,人文学院,湖南,湘潭,411201 |
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| 摘 要： | 诗学辨体理论研究,是对文学文本文体形态及其风格特征本身的研究,具有独特的批评史意义。明代是我国古代诗学辨体理论的总结期。明代诗学辨体理论的繁盛突出表现在严格的尊体批评与诗文体制之辨,以及文学典范意识的确立与古近体诗之辨。
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| 关 键 词： | 诗学辨体理论 文体形态 尊体意识 典范意识 |
| 文章编号： | 1002-6320(2005)02-0060-04 |
| 修稿时间： | 2004年12月8日 |
The Sense of Style Esteem & Sense of Apotheosis about the Theory of Poetic Formal Distinctions of Ming Dynasty |
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| DENG Xin-yue.The Sense of Style Esteem & Sense of Apotheosis about the Theory of Poetic Formal Distinctions of Ming Dynasty[J].Academic forum of nandu,2005,25(2):60-63. |
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| Authors: | DENG Xin-yue |
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| Abstract: | The theory of poetic formal distinctions studies the text style & feature, which has a distinctive critical means. In Ming dynasty, the theory of classical poetic formal distinctions came to the summing up period. The theory of poetic formal distinctions in Ming dynasty is prosperous sharply presented at strict criticism of style esteem, the distinctions between poetic system, the establishment of literary apotheosis sense and the distinction between classical poetics. |
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| Keywords: | the theory of poetic formal distinctions style form sense of style esteem sense of apotheosis |
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