| 关于构建新疆大山水画理论体系的思考 |
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| 引用本文： | 刘玉社.关于构建新疆大山水画理论体系的思考[J].石河子大学学报(哲学社会科学版),2007,21(1):1-4. |
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| 作者姓名： | 刘玉社 |
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| 作者单位： | 石河子大学,文联,新疆,石河子,832003 |
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| 摘 要： | 新疆是世界四大文明的交汇地,其高山大河、沙漠等多种地貌形态与内地是不同的。但在中国美术史上,新疆并没有像其它省份那样形成山水画理论体系和画派,从而造成了中国山水画史在这一区域上的空白。该文提出构建新疆大山水画的“四大板块”理论,具有一定的文化发展战略和创新意义,但需在理论与实践上有所突破。
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| 关 键 词： | 新疆大山水画 理论体系 研究 |
| 文章编号： | 1671-0304(2007)01-0001-04 |
| 修稿时间： | 2006年9月30日 |
Some Ideas Concerning Constructing Theoretical System of Xinjiang Large Landscape Paintings |
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| LIU Yu-she.Some Ideas Concerning Constructing Theoretical System of Xinjiang Large Landscape Paintings[J].Journal of SHIHEZI University(Philosophy and Social Science),2007,21(1):1-4. |
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| Authors: | LIU Yu-she |
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| Abstract: | Xinjiang is the intersection place of the four great civilizations.No province can compare with its various kinds of land surface forms for its high mountains,rivers,deserts and oaises etc..However,in the history of China's fine arts,landscape painting theory system and painting schools have never been formed as the other provinces since the time immemorial,therefore,blanks of China's landscape painting are left in this area.The present paper puts forward "the four large plate" theory of creating Xinjiang great landscape painting,having certain innovative significance of cultural developing strategy.But it needs breakthrough in theory and prctice. |
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| Keywords: | Xinjiang great landscape paintings theoretical system study |
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