| 汉画像石研究二则 |
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| 引用本文： | 宋艳萍.汉画像石研究二则[J].南都学坛,2010,30(5):9-16. |
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| 作者姓名： | 宋艳萍 |
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| 作者单位： | 中国社会科学院,历史研究所,北京,100732 |
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| 摘 要： | 第一,山东嘉祥武氏祠东阙画像中的多头兽应当是开明兽而非天吴或"天昊",它旁边的双头兽可能是屏蓬。第二,画像石伏羲、女娲中间的"抱持神"可能不是高禖,而是神农氏,这或许是汉为火德思想的反映。
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| 关 键 词： | 汉画像石 开明兽 屏蓬 伏羲 女娲 神农 三皇 |
On Motifs of Two Han Stone Reliefs |
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| SONG Yan-ping.On Motifs of Two Han Stone Reliefs[J].Academic forum of nandu,2010,30(5):9-16. |
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| Authors: | SONG Yan-ping |
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| Abstract: | This essay focuses on motifs of two stone reliefs of Han Dynasty.First,the relief on eastern side of Wu Family Shrine at Jiaxiang,Shandong.The multiple-headed beast in it is not Tianwu or Tianhao,but Kaiming(the Enlightened beast).Next to this is a double-headed beast,which is probably a Pingpeng beast.Second,the clasping god amid Fuxi and Nüwa in Han stone reliefs,probably is not Gaomei but Shennong(the Holy Farmer).This may suggest the ideology that Han Dynasty was coincident with the Fire Virtue among the Five Virtues Circulatory System. |
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| Keywords: | stone reliefs of Han Dynasty Kaiming(the enlightened beast) Pingpeng Fuxi Nüwa Shennong the Three Emperors |
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