民俗学表演理论核心概念探析

表演理论自20世纪80年代传入我国，曾在民俗学及其他相关学科引起很大反响。但由于国内对相关的理论著述还缺乏全面系统的翻译，因而使国内学者难以把握该理论的精髓，也未能充分认识它对当代民族艺术的保护及民族文化交流的重大意义。本文以搜集到的国内外一手资料为基础，对表演、框架、自反性、标定、模式性和新生性等核心概念的内涵与意义进行了阐释，以期为后来者深入了解表演理论提供一定的借鉴。

An Explorative Analysis of the Basic Concepts of Performance Theory of Folklore

Since 1980＇ s, the theory of performance was introduced in China and has triggered a great echo in the fields of folklore and other related studies. However, due to the lack of all-round translation, Chinese scholars failed to master its quintessence and have not fully recognized its importance to the protection of ethnic arts and cultural exchanges. Based on materials at first hand, this paper explores such basic concepts as performance, frame, reflexivity, the keying of performance, the patterning of performance, the emergent quality of performance, with a view to provide some reference for interested scholars.