| 印象派与东亚美术关系问题述要 |
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| 引用本文： | 王涌.印象派与东亚美术关系问题述要[J].徐州工程学院学报（社会科学版）,2014(4):79-82. |
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| 作者姓名： | 王涌 |
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| 作者单位： | 华东理工大学外语学院,上海200237 |
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| 基金项目： | 教育部人文社科基金一般项目“印象派之后的现代主义与东亚美术”（06JA760007）的阶段性成果 |
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| 摘 要： | 印象派与东亚美术关系是一个无人不知晓但又很少被说清楚的问题。文章从史实依据和美术语汇这两个角度，深入阐释了东亚美术对印象派这一启动现代美术运动之主潮的影响所在，并由此折射出了现代画法从一开始就带有的传统印痕，进而为现代美术论域中的传统与现代、东方与西方问题抛出了一块引玉之石。
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| 关 键 词： | 印象派 东亚美术 传统与现代 东方与西方 |
The Relationship Between Impressionism and East Asian Art |
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| WANG Yong.The Relationship Between Impressionism and East Asian Art[J].Journal of xuzhou Institute of Technology(Social Sciences Edition),2014(4):79-82. |
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| Authors: | WANG Yong |
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| Institution: | WANG Yong (Foreign Language College of East China University of Science and Technology, Shanghai 200237, China) |
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| Abstract: | The relationship between Impressionism and East Asian art remains well-known but seldom clearly expressed. This paper not only illustrates the influence of East Asian art to impressionism from the angles of historical facts and art vocabulary,but also reflects the traditional pattern that modern paintings contains from the very beginning. Furthermore, it inspires the discussions about the problems in tradition and modern, the east and West. |
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| Keywords: | impressionism Asian art tradition and modern the East and the West |
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