节日狂欢氛围与歌谣的共——论吴越婚礼歌谣的“狂欢化”特征

婚礼仪式对人进入新的角色有一定的文化塑造作用。在婚礼歌谣中，作为相互邀约手段的歌谣，因为仪式的狂欢化而体现着狂欢的主题。吴越婚礼歌谣中表达的这种狂欢种类繁多，有的表达了身体的解放，有的表达了以“性”的狂欢，有的表达则以语言为主的狂欢。在吴越婚礼歌谣中，狂欢化主要体现在以“性”为描写对象的狂欢化主题；以夸张为重要特征的狂欢化的体语言；以“歌”“谣”结合的狂欢化体裁。通过婚礼歌谣的念诵，可以缓解新娘的不适、思念或欢悦之情，宣泄内心的不安，达到身心的平衡，因此，具有一种“狂欢化”的“叙事治疗”效果。

On the Carnival Presentation of the Rhymesinthe Wedding Ceremony in Wuyue Regions

Wedding ceremony is a cultural shaping force leading the couple into a new role.As a means of dating, wedding rhymes embody the theme of carnival. There are many kinds of Carnival in Wu Yue’s wedding rhymes, some expressing the liberation of the body, others the sexual carnival, still others expressing the language carnival. In Wu Yue’s wedding rhymes, the carnival is mainly reflected in the theme of "sex" as the theme of the carnival; the exaggerated body language characterized by exaggeration; the carnival genre combined with “rhymes” and “Ballad”. The wedding rhymes chanting can ease the discomfort, or missing the bride’s feelings of joy, their conscience, to achieve physical and mental balance, therefore, exerting a Carnivally narrative therapy effect