合唱《阳关曲》创作艺术与指挥要点

戴金泉编创的合唱《阳关曲》是根据古曲《阳关三叠》改编的，基本保留了古曲的旋律原貌，但混声合唱的形式是源自西方的，和声、复调技法的处理重色彩淡功能。合唱《阳关曲》指挥既需要尊重作品自身所蕴含的各种信息和风格风貌，又要结合表演者自身的情感表达和技术能力，更要发挥指挥的调配和引导的功能，还要顾及欣赏者的情感需求和接受能力，将作品的一度、二度和三度创作有机地融为一体，才能使作品的内在美得以完美地呈现出来；合唱《阳关曲》排练应注意韵律与咬字吐字、音色的处理以及力度的层次安排；指挥应注意把握重点与难点、做好预示与控制、分清线条与结构、讲究语言与修辞；手势动作上更要注意动静结合、大小结合、气场结合、点线结合。

The Craftsmanship and Conductor Methods in the Chorus

The chorus YangguanQu composed by Dai Jinquan was adapted from the ancient music Parting in Yangguan, basically retaining its original melodies. However, the chorus form originates from the west; the processing of harmony and polyphony techniques focuses more on color and less on function. With regard to the rehearsal and conductor of the music, this paper proposes that the conductor should not only respect the various information and styles embodied in the work itself, but also combine performers’ own emotional expressions and technical capabilities. What’s more, the conductor should exert his abilities of deployment and guidance, as well as consider the audience’s emotional needs and appreciation level, thus harmoniously integrating the first, second and third recreation of the work. Only in this way can the internal beauty of the work fully presented. During the rehearsal, attention should be paid to the rhythm in the process of articulation, timbre processing and strength level arrangement. The conductor should grasp the key points and difficulties, make predictions and controls, distinguish lines and structures, and stress language and rhetoric. What’s more, the conductor should pay attention to the gestures combination of motion and stillness, big and small ranges, different situations, point and line.