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从福柯的生存美学视角解读《第二十二条军规》
引用本文:管亚男.从福柯的生存美学视角解读《第二十二条军规》[J].辽宁工程技术大学学报(社会科学版),2014(4):402-405.
作者姓名:管亚男
作者单位:安徽师范大学外国语学院,安徽芜湖241000
摘    要:为了展现小说《第二十二条军规》中小人物的生存状态和生存美学,运用福柯的生存美学原理,对小人物的生存环境和各自的出路进行研究.研究发现:在规训化的社会里,小人物生活得悲惨无助;然而通过奉行隐忍型和普罗米修斯式的生存美学,仍有人在军规中寻求自由、在无助中寻求自救、在绝望中寻求生路,成为反抗权威、捍卫自由的英雄.该解读有助于引导现代人选择积极向上的生活方式.

关 键 词:《第二十二条军规》  福柯  小人物  隐忍型的生存美学  普罗米修斯式的生存美学

An analysis of Catch-22 from the perspective of Foucauldian aesthetics of existence
GUAN Yanan.An analysis of Catch-22 from the perspective of Foucauldian aesthetics of existence[J].Journal of Liaoning Technical University(Social Science Edition),2014(4):402-405.
Authors:GUAN Yanan
Institution:GUAN Yanan (School of Foreign Studies, Anhui Normal University, Wuhu 241000, China)
Abstract:In order to present nonentities' living conditions and aesthetics of existence in the novel Catch-22, Foucauldian aesthetics of existence was employed to study nonentities' living circumstances and their own ways to survive. It is found that in the disciplinary society, nonentities live in miserable and helpless conditions; however, there are still heroes who seek freedom in military discipline, self-salvation in hopelessness, survival in desperation by embracing Prometheus and tolerant aesthetics of existence. The interpretation is revelatory for modem people to select a positive life style.
Keywords:Catch-22  Foucault  nonentity  tolerant aesthetics of existence  Prometheus aesthetics of existence
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