| 中国古典美学中感兴论研究综述 |
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| 引用本文： | 孟丽.中国古典美学中感兴论研究综述[J].辽宁工程技术大学学报(社会科学版),2014(4):406-410. |
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| 作者姓名： | 孟丽 |
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| 作者单位： | 中国传媒大学文学院,北京100024 |
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| 摘 要： | 感兴论一直都是中国美学研究的重要内容,关于感兴论的研究成果颇为丰富.就感兴论的研究成果而言,学界大体从以下范围进行探讨：一是“兴”的本义研究,二是“兴”的起源问题,三是探讨经学意义的“比兴”,四是将“兴”与诗歌艺术联系进行研究.在诸多研究中,就“兴”与诗歌艺术联系进行研究最为丰富.整理了从上世纪七十年代末到当下学术界对于感兴论的研究成果,期望对当下的感兴论研究能有帮助.
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| 关 键 词： | 感兴 “主体-客体” 天人合一 创作论 中国古典美学 |
Review of ganxing in China＇s classical aesthetics |
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| MENG Li.Review of ganxing in China＇s classical aesthetics[J].Journal of Liaoning Technical University(Social Science Edition),2014(4):406-410. |
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| Authors: | MENG Li |
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| Institution: | MENG Li (School of Literature, Communication University of China, Beijing 100024, China) |
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| Abstract: | Among discussions on ganxing theory in China＇s classical aesthetic researches, most focus on these four parts： basic meaning of xing, origin of xing, bixing in light of Confucianism, and connection between xing and art of poetry, the richest ones among all the four. Hopefully, all these studies since 1970s will offer some help to China＇s classical aesthetic researches, especially the study of poetry creation. |
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| Keywords: | ganxing subject-object oneness of heaven and man creation theory Chinese aesthetics |
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