| 舒曼钢琴套曲《蝴蝶》浅析 |
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| 引用本文： | 刘尧,蔡云凌. 舒曼钢琴套曲《蝴蝶》浅析[J]. 齐齐哈尔大学学报(哲学社会科学版), 2002, 0(5): 84-86 |
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| 作者姓名： | 刘尧 蔡云凌 |
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| 作者单位： | 齐齐哈尔大学艺术学院,黑龙江,齐齐哈尔,161006 |
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| 摘 要： | 蝴蝶是19世纪30年代创作,其特点是优美的散文形式。《蝴蝶》套曲是由十二首小品组成,表现各自的主题,表现手法,曲式及不同的表现情绪。《蝴蝶》的创作开创了音乐历史上又一重要的器乐体裁,就如同读一篇优美的散文在无比浪漫的意境中更能体会到的是作品“形散而神不散”的艺术底蕴。
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| 关 键 词： | 钢琴 套曲 蝴蝶 体裁 |
| 文章编号： | 1008-2638(2002)05-0084-03 |
| 修稿时间： | 2002-03-27 |
Simple explanation of Schuman''''s piano divertimento Butterfly |
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| LIU Rao,CAI Yun-ling. Simple explanation of Schuman''''s piano divertimento Butterfly[J]. Journal of Qiqihar University (Philosophy & Social Science Edition), 2002, 0(5): 84-86 |
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| Authors: | LIU Rao CAI Yun-ling |
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| Abstract: | Butterfly was created in the 1930s in the form of graceful prose.Divertimento of Butterfly is composed of twelve sketches,each displaying respective theme,expressive technique,musical form and different emotions.It is Butterfly that initiated a significant style of instrumental music inmesic history Listening theButterfly,just like read a graceful prose with aloose form but a compact theme,you will appreciate its romance and artistic lonnotatior to your heart's content. |
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| Keywords: | piano divertimento butterfly style |
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