现代性美学的黄昏——论阿多诺对黑格尔艺术美的批判

阿多诺将异质性因素与精神同置于艺术的内部，提出否定辩证的艺术观。通过对黑格尔建立在辩证统一性基础上的观念论的批判，阿多诺否定艺术美是理念的感性显现这一观点，进一步呈现艺术中的真理性，解决了艺术与哲学的关系问题。但是由于阿多诺的美学终究是以一个有反思能力的主体为前提，其不能突破主体主义哲学的范式，没有看到社会性的群体在对抗资本主义中的意义，因而不能真正对抗资本主义文化工业的意识形态问题。

The Twilight of Modern Aesthetics：Adorno’s Criticism of Hegel’s Artistic Beauty

Adorno placed heterogeneous elements and the spirit within art, and put forward a negative dialectical view of art. By criticizing Hegel’s idealism based on dialectical unity, Adorno has denied that artistic beauty is the perceptual manifestation of ideas, further presenting the truth in art, and thus solving the relationship between art and philosophy. However, Adorno’s aesthetics, based on the premise of a subject capable of reflection, cannot break through the paradigm of subjectivism philosophy, and fails to see the significance of social groups in confronting capitalism, and therefore it cannot really fight against the ideological problems of capitalist cultural industry.