《文心雕龙·夸饰》与“文学的自觉”

《文心雕龙.夸饰》历来被学者认为主要是谈夸张这种修辞手法,而对其与文学之间的关系少有涉及。文章试图从文本及历史两个角度出发,通过分析《夸饰》中所表达的主要思想和它的历史生成过程,说明刘勰在夸饰方面的新发现在于以夸饰为代表的语言所指向的具有积极表达意义的虚拟意向空间,并认为只有在此基础之上,才可能有魏晋文学观念的自觉。

The Kuashi in Wenxindiaolong and the Literary Self-consciousness

Many scholars think of the topic of Kuashi in Wenxindiaolong as a discussion about hyperbole,little of which relates it to literature.This paper attempts to analyze its major idea and the generation process in history from the text and the history so as to demonstrate that Liuxie's new discovery in Kuashi lies in an active hypothesized meaning space structured by hyperbole.Still the paper argues that only on this basis,can the Literary Self-consciousness during the Period of Wei-Jin exist.