| 从"易象"到"审美意象"--中国古典审美意象的历史嬗变 |
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| 引用本文： | 辛衍君.从"易象"到"审美意象"--中国古典审美意象的历史嬗变[J].辽宁大学学报(哲学社会科学版),2005,33(4):39-42. |
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| 作者姓名： | 辛衍君 |
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| 作者单位： | 中国政法大学外语学院,北京,102249 |
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| 摘 要： | 中国古典审美意象经历了"易象"、"意象"和"审美意象"三个发展阶段.本文从纵向对审美意象的形成过程进行了梳理,目的在于明晰古典审美意象的发展历程,厘清"审美意象"这一范畴的内涵、外延及其本质特征.
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| 关 键 词： | 易象 意象 审美意象 |
| 文章编号： | 1002-3291(2005)04-0039-04 |
| 修稿时间： | 2004年12月20 |
From Symbol to Aesthetic Image--A historical survey on Chinese classical image theory in aesthetic field |
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| Xin Yan-jun.From Symbol to Aesthetic Image--A historical survey on Chinese classical image theory in aesthetic field[J].Jounal of Liaoning University(Philosophy and Social Sciences Edition),2005,33(4):39-42. |
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| Authors: | Xin Yan-jun |
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| Abstract: | From origin to maturity, Chinese classical image theory in aesthetic field has gone through three phases-symbol, image and aesthetic image. The historical survey of the theory is sure to make contribution to the better understanding of its connotation, denotation and nature. |
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| Keywords: | symbol image aesthetic image |
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