| 明末清初戏曲家的创作心理论略 |
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| 引用本文： | 吴秀华. 明末清初戏曲家的创作心理论略[J]. 东南大学学报(哲学社会科学版), 2004, 6(1): 103-108 |
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| 作者姓名： | 吴秀华 |
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| 作者单位： | 河北师范大学,文学院,河北,石家庄,050091 |
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| 摘 要： | ~~明末清初戏曲家的创作心理论略@吴秀华$河北师范大学文学院!河北石家庄050091~~~~~~
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| 关 键 词： | 明末清初 戏曲作家 创作心理 |
| 文章编号： | 1671-511X(2004)01-0103-06 |
| 修稿时间： | 2003-01-26 |
Writing psychology of dramatists in transition period from the Ming to the Qing dynasty |
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| Abstract: | The dramatists in the transition period from the Ming to the Qing dynasty are known for their different writing psychology due to their family backgrounds,life experiences and the influence of their ages.The themes and figures in their works were restricted by various facters and regarded as a faithful reflection of the dramatists' life and thoughts. |
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