| "独至"之情与"古雅"法度的结合——谈陈子龙对于前后七子和公安派的变异与反驳 |
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| 引用本文： | 张文恒."独至"之情与"古雅"法度的结合——谈陈子龙对于前后七子和公安派的变异与反驳[J].江南大学学报(人文社会科学版),2007,6(1):79-81. |
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| 作者姓名： | 张文恒 |
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| 作者单位： | 韩山师范学院,中文系,广东,潮州,521041 |
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| 摘 要： | 明人论诗此起而彼伏,但自袁中道开始,师心与师古、真与雅的调和与修补已初现端倪。陈子龙则沿袭此举,继续对七子和公安派的诗学主张加以变异、折中,摒弃缺点,吸收他们的合理成分,不过其对前者的推崇与承袭远较后者为甚。同时,时代的内忧外患又使得陈子龙在诗歌格调的选择上讲究一种音节婉亮的雍容法度,以抵消衰世之音的萧杀与悲凉。
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| 关 键 词： | 格调 变异 情志 审音 世变 |
| 文章编号： | 1671-6973(2007)01-0079-03 |
| 修稿时间： | 2006年3月8日 |
Integrating of the Special Feelings and Classical Elegance |
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| ZHANG Wen-heng.Integrating of the Special Feelings and Classical Elegance[J].Journal of Southern Yangtze University:Humanities & Social Sciences Edition,2007,6(1):79-81. |
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| Authors: | ZHANG Wen-heng |
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| Abstract: | Scholars in Ming Dynasty always disputed the poesy as one falls another rise.Chen zilong continued to balance the proposals of Gong'an group and the Jingling scholars.At same time,the complicated times made his poem elegant instead of sad in style. |
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| Keywords: | pattern variation opinion surveying the tone changing of the society |
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