| 模拟情境与表达剩余的传播之域--马原小说的意义之境 |
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| 引用本文： | 聂茂. 模拟情境与表达剩余的传播之域--马原小说的意义之境[J]. 湖南文理学院学报(社会科学版), 2005, 30(6): 74-76 |
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| 作者姓名： | 聂茂 |
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| 作者单位： | 聂茂（中南大学,文学院,湖南,长沙,410083） |
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| 摘 要： | 在中国新时期"先锋小说"的板块上,马原写下了亮丽的一笔.这主要不是依赖他作品的内容,更多的则是他那恶作剧般小说叙述的"陌生化"形式.其最大的意义在于他有意识地创作了"活页小说",形成类似"元小说"的效果.但马原最终被读者抛弃与他最初被读者接受一样,都是因为"形式",这是他个人的悲剧,也是中国新时期"先锋小说"的悲剧.
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| 关 键 词： | 马原 先锋小说 形式 叙事策略 |
| 文章编号： | 1672-6154(2005)06-0074-03 |
| 修稿时间： | 2005-09-20 |
The Communication Field of Simulated Situation and Expression Surplus-On Ma Yuan's Writing Form |
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| NIE Mao. The Communication Field of Simulated Situation and Expression Surplus-On Ma Yuan's Writing Form[J]. Journal of Hunan University of Arts and Science:Social Science Edition, 2005, 30(6): 74-76 |
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| Authors: | NIE Mao |
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| Abstract: | Ma Yuan played a leading role in the creation of avant-garde novels in the New Period of China.This was mainly due to his mischievous strange narrative form rather than his content.What was most significant was that he consciously wrote "loose-leaf" novels,resulting in effect similar to those written in the Yuan Dynasty.Just as he was accepted,he was rejected for the same reason of form.This was his tragedy and that of avant-garde novels in the New Period of China as well. |
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| Keywords: | Ma Yuan avant-garde novels form narrative strategy |
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