婆媳冲突：内隐的男权世界——从祁太秧歌“婆媳冲突”型剧目中看近代家庭的男性权威和长者意者

“两代家庭”中的婆媳冲突是乡土社会最基本也最深入的伦理纠葛。本文透过小戏所展示的表层女性权威世界,解读其背后男性家长的强大权力意志,女性权力仍处于从属地位;而第二代男主人公-儿子所表现出男权的缺失和沦丧则应归结于对“长者意志”的屈从;小戏中表现出了民众对权威者滥用权力的不满及其反抗,不过由于其反抗的目的并不是为了构建新的权威秩序,所以导致了其反抗方式的消极性。

Conflicts between Mothers and Daughters-in-Law: Patriarchy in Essence--Masculine Authority and Patriarchal Will of Modern Family in Qitai Yangge Opera

The conflict between mothers and daughters-in-law in "two generations families" is the most basic ethical dispute in local society.This paper illustrates three aspects reflected through Qitai yangge opera:firstly,under the seemingly authoritative females,there exists the formidable male power will,which means that females are still of the subordinate status;secondly,lack of patriarchy in the son(second generation male) implies his submission to the "elder will";finally,the opera reflects that the goal of populace revolt against authority was not for constructing new authoritative order,so the revolt was negative.