传神论与中国文人画

本文探讨了“传神论”对中国文人画的影响。概述从先秦至明清，“传神论”在绘画中的提出和发展过程。指出，“传神论”不仅是中国绘画艺术特有的审美观念．同时也是中国古典文学及其它艺术的审美准则，各种艺术的相互影响，形成了文人画表现形式的丰富底蕴。

The influence of "the theory of expressiveness" upon the drawings created by ancient Chinese scholars

Thus paper gives a brief introduction to the generation of the theory of expressiveness in pre-Qin times and the course of its development down to the Ming and Qing dynasties, and conducts an invesigation into its influence upon drawings by Chinese scholars. This paper goes on to point out that the theory is not only an esthetic ideology unique to Chinese art of drawing but is also an esthetic standard for ancient Chinese literature and other artistic creations, and that the reciprocal influence of various forms of art lays the foundation for the many expressive ways of drawings by Chinese scholars.