| 后实践美学与审美意识形态 |
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| 引用本文： | 赵晓芳.后实践美学与审美意识形态[J].复旦学报(社会科学版),2009(2). |
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| 作者姓名： | 赵晓芳 |
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| 作者单位： | 上海师范大学,马克思主义学院,上海,200234 |
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| 摘 要： | 作为针对实践美学的一种美学思潮,后实践美学有意突出革新与继承之间的矛盾,而未能很好地正视自己的奠基问题.经南嫁接夹缠,"超主客关系"、"超越性"等概念被从其历史存在中抽象出来.这是一个中国美学走向进步的独特方式,但也是当代中国美学的根基被抽除的过程."唯美"的要求和向往把财富包裹得严严实实,并在这种包裹严实中加大了审美共通感蜕变为纯粹意识形态的可能性,大多数中国人的生存现状因此成为"丑的".受到肆无忌惮的厌恶,而不可能被正视.
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| 关 键 词： | 后实践美学 超主客关系 超越性 审美意识形态 |
Post-Practical Aesthetics and the Ideology of the Aesthetic |
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| ZHAO Xiao-fang.Post-Practical Aesthetics and the Ideology of the Aesthetic[J].Fudan Journal(Social Sciences Edition),2009(2). |
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| Authors: | ZHAO Xiao-fang |
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| Institution: | Shanghai Normal University;Institute of Marxism;Shanghai 200433;China |
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| Abstract: | As a form of anti-practical aesthetics,post-practical aesthetics intends to stress the contradiction between innovation and inheritance,but it did not throw light on its foundation.It is a special way for Chinese aesthetics to gain its modernization,but also a process that the foundation of Chinese modern aesthetics being exiled. |
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| Keywords: | post-practical aesthetics existent transcendental ideology of aesthetics |
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