| 默默地执著于蛹破的辉煤——谈莫言小说《檀香刑》的自我超越 |
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| 引用本文： | 毕兆明,张嘉玉.默默地执著于蛹破的辉煤——谈莫言小说《檀香刑》的自我超越[J].内蒙古民族大学学报(社会科学版),2003,29(2):32-34. |
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| 作者姓名： | 毕兆明 张嘉玉 |
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| 作者单位： | 内蒙古民族大学,人文学院,内蒙古,通辽,028043 |
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| 摘 要： | 中国作家莫言是一位风格独特的作家 ,一般认为他的创作深受西方现代主义尤其是拉美魔幻现实主义的影响。《檀香刑》是莫言的一部新作 ,该作品是对作家早期作品风格的反拨与继承 ,作家早期的创作更多地受到外来文化的影响 ,而自《檀香刑》始 ,作家有意追求自我超越而表现出民族化的倾向。
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| 关 键 词： | 檀香刑 魔幻现实主义 自我超越 |
| 文章编号： | 1671-0215(2003)02-0032-03 |
| 修稿时间： | 2003年1月5日 |
Preoccupying in Silence Transcending with Brilliance--On Super-self of Tanxiangsing by Moyan |
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| BI Zhao-ming,ZHANG Jia-yu.Preoccupying in Silence Transcending with Brilliance--On Super-self of Tanxiangsing by Moyan[J].Journal of Inner Mongolia University for Nationalities(Social Sciences),2003,29(2):32-34. |
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| Authors: | BI Zhao-ming ZHANG Jia-yu |
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| Abstract: | Chinese writer MoYan is a writer with unique style. Normally,think that his creation have been influenced by western modernism deeply, especially the influence of magical realism which prevailed in Latin America. Tanxiangsing is one of Mo Yan's new work, this article analyses the subversion and inheritance of his work to writer's early works,then draw a conclusion:Moyan's early works have been influenced by western modernism deeply,but from Tanxiangsing in theme,artistic style and so on. He has mind to mostly show transcendence and nationality. |
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| Keywords: | Tanxiangsing Magical realism Transcendence |
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